Thursday, April 14, 2011

Confronting a Legend: Guyana's Kaieteur Falls


Kaieteur Falls from ieishah clelland on Vimeo.

"[Poet AJ] Seymour's "Legend of Kaieteur" has it that Kai was the chief of the Patamoona Amerindian tribe. According to local legend, a neighboring tribe, the Caribisi, suddenly waged war on the Patamoona. When the destruction of his tribe seemed imminent, Kai went to Mokonaima Falls (also spelled Makanaima), to ask The Great Spirit to save his people. The Great Spirit's messenger-birds return to tell Kai that he must come "before His face for ever". Only in exchange for this will The Great Spirit make sure that no harm comes to the Patamoona. Thus Kai set off into the flood in a "frail boat", neither his body nor his boat seen again. It is said that Kai still sits today looking into the face of The Great Spirit of the Fall, listening to the siren-like voices of the fall's feminine spirits."

This is an excerpt from an essay I wrote it in 2001. I saw Kaieteur Falls for the first time in December 2010. According to another legend Kai was a miserable old man; so unbearable was his character that his own family put him in a boat and pushed him off the falls. In a far more probable tale, it's said that most Guyanese have never seen it.

*Kaieteur is misspelled in the beginning of the vid. Sincere apologies to the great spirits.

Tuesday, April 12, 2011

Blood On the Dancefloor

A very wise filmmaker once told me, "Interracial relationships live and die on the dance floor". Or maybe it was, "The dance floor provides the true test of any interracial relationship." Either way, in the case of the Belgian Billionaire, this was almost literally true.

We met at a party hosted by a Jamaican couple in South Florida. He had a full head of silver and black slicked back hair. Tall, buttoned down and jacketed, looking like he came out of an Ocean's 11 remake, I liked him immediately. He acted like I didn't exist. Luckily it was New Year's Eve, my entire family was there, and we had all the makings of a classic night.

I won't apologize for being the stereotype* when it comes to black people, dancing and sangin'. Especially when I'm all euphoria and loved up and surrounded by other black people. That night I went buck wild like it was '94, and hip hop and dancehall were life. At one point I remember standing at the edge of the dance floor and turning to see my parents in the kitchen, bouncing in unison to some ignorant dirty south song or another. Luke or Lil John. We're not even drinkers. It's all natural crunk.

Bill and I ended up dancing with each other for most of the night, until on a slow roots reggae tune, he tried to kiss me. This was problematic. Yeah, I thought he was cute. And by that point I'd been officially grinding on him for the better part of 2007. But so? Where I come from, you can dance with someone, all night even, without there being meaning beyond the dance. Not so with European men, it seems. As far as they're concerned, you only dance with someone so intimately because you want to have sex with them. This is not as 'rapey' as it may sound. Not like normal guys will force you if you decline. But there isn't this idea that a dance is just a dance. It's normally the beginning of something, not an end in itself.

Barely a year after that night, we were living together in Belgium, being chauffeured to the party where I'd meet his friends for the first time. It was hosted by a couple who lived in a house separated from the street by a moat. A footbridge led you to the main structure; it wasn't really just a house, but something like a complex of small buildings. In the middle, they'd erected a party tent. Couches, candles and tables on one side, a dance floor on the other.

The first Real Housewife of Flemish Belgium I met, a pretty blonde in black cashmere who greeted me with her arms folded across her midsection, said, "You seem nice. I might like you. But I liked his ex-wife, too". The husbands brought me pink, girly drinks, talked to me about selling rare automobiles and drilling wells in West Africa. Others took turns tossing me around the dance floor. People in Belgium do the hustle, ballroom-style, like, at parties and in nightclubs. They were highly entertaining. All except for mine. He insisted I wasn't having a good time.

"Why aren't you dancing?"

"Did you not just see me dancing with Husband #5?"

"Yes, but you are not like you were on New Year's Eve."

We had our first real fight that night. Obviously, the spirits of dance are not likely to visit upon one in a house with a moat in Flemish Belgium (not even Brussels!) in the same way as they would at a Jamaican party in South Florida. Obviously. Either this man wasn't aware of the mysterious ways in which the spirits of dance move, or he didn't know who I was at all. Was it that he was afraid I wasn't enjoying myself unless I was bouncing off the walls? Or was he just craving gyrating exotic girl me? I waited until after we crossed back over the footbridge to ask.


*I don't want to get into any big thing about stereotypes, and "how dare you [I] suggest that all black people can dance!" Because most black people can dance. And if you are black and this doesn't describe you, then this isn't the post for you.

Wednesday, April 6, 2011

In Which A Korean Performance Artist Sets Out to Sell Snow on the Beach



Korean artist Yva Jung had been slanging snow straight from New York City for almost an hour when the police came by. Without a permit, they said, selling on the beach was illegal. Yva, original from Seoul, but has been working and schooling first in Montreal, and currently in New York City, had no idea what was really being said. Her boyfriend, an up and coming Catalan photographer called Joel was doing all the talking. They seemed determined to make her leave. Then they thought about it. Snow. In an envelope on the beach in Barcelona. On a sunny day. She wasn't going to sell a damn thing. They let her stay where she was.

Amidst a range of reactions, responses, and feelings (yes, people had feelings about it all!), I tried to translate. But the truth was that I had no idea how Yva managed to put snow in an envelope.  I witnessed...


Mistrust:
"But how is that snow from New York?"
"How do I know it's really from New York?"
"Is it authentic?"



Skepticism:
"How is snow in an envelope? Doesn't it melt?"
"So, you have some technology in the envelope to preserve the snow..."



Anger and annoyance: 
"Well, what's the purpose of this? Why are you selling it?"
"What would I do wih snow?"



Amusement:
"Is this a hidden camera prank? Am I going to be on Zapping (like, a Catalan Punked) next week?"

Respect:
"Que guay!"
"How cool!"



Yva didn't even tell me what was in the envelopes until 3 hours after I'd been standing there. Suffice it to say, you just might buy it if you knew what was in it. She's a visual artist; then the sale of that art becomes a tableau that potential buyers enter. It's about the exchange. The show. The story, in the end, the story to tell, that's the ultimate creation.

The day before, Yva sold spoons in Plaza del Pi. Teaspoons she'd sent to artists she knows around the world. Some were international art hot shots like Lucio Pozzi, the Italian painter last seen at Art Basel, and Belgian Johan Grimonprez, the filmmaking Belgian who brought us 'Double Take', a meditation on Hitchcock and an accidental doppelganger. She asked them to create a sample of their work that fits in the spoon, and then set a price for it. Some artists requested as much as 200 euros for their spoon sample. Others wanted only a photo of the buyer, or requested the buyer hold hands with Yva for a few minutes as payment. One sample was set as priceless. The little boy who bought this one decided a hug and kiss, literally, fit the bill.

It's these stories, beyond the tangible art; what Yva, in her lilting English calls, "accidents" that she's in search of. Sparks. Magic. Curiosities. The sublime. That which, as Kant says, reveals something in excess of the object.

The best is to see it for yourself. Like that time she sold bags of artists' breath in Union Square, and that performance yeilded another.


Spring Sale on Saturdays from Yva Jung on Vimeo.


Photos via Joel Ventura