so for the first time in many many many years, spain has not only made it past the quarter finals of the european championship, THEY'VE WON!!! i watched the historic win at my flat with a new americanfriend called raquel. as the match came to a close, it was pandemonium in the streets. fireworks, car horns blowing in some kind of wild street symphony, people drinking on street corners, german flags burning (well, almost) and you couldn't flick a cigarette butt without hitting a half-naked spanish boy. raquel and i took to the streets to soak in the madness. viva españa!!
Monday, June 30, 2008
we won!!
so for the first time in many many many years, spain has not only made it past the quarter finals of the european championship, THEY'VE WON!!! i watched the historic win at my flat with a new americanfriend called raquel. as the match came to a close, it was pandemonium in the streets. fireworks, car horns blowing in some kind of wild street symphony, people drinking on street corners, german flags burning (well, almost) and you couldn't flick a cigarette butt without hitting a half-naked spanish boy. raquel and i took to the streets to soak in the madness. viva españa!!
Wednesday, June 25, 2008
i am meant to be happy/bcn randomness
tuesday night was buddha bar night. the featured act . . . didn't get their names. (bad blogger!) but check how they mean mug my camera at the end. i love hip hop. wherever i go, there it is . . .
I was meant to be happy?
i was sitting in my favorite café today, when some clown came in and gave me this:

no really, he was a clown. a drunken clown.

i don't think any of this means he can't be right.
I was meant to be happy?
i was sitting in my favorite café today, when some clown came in and gave me this:

no really, he was a clown. a drunken clown.
i don't think any of this means he can't be right.
missing in action
i like modern shit. like in design, for example . . . minimalist, glassy, black and white with shades of red, light-reflecting steel panels and all that. or in electronics devices, like sleek mobiles, laptops and digital cameras, with names like razor and 'x4.5i with an edge'. but as far as my music goes, i favor crooners who sing like birds and the percussive sounds of bare hands against goatskin. sounds we can trace directly back to the animal kingdom. that was until this saturday at the biggest music festival of the year in barcelona, sonar 2008. MIA, saturday's featured act, cancelled early in the week. to think i almost didn't go.
all aboard!
one drop, two drop, three drop, four
sound of kuduru knockin at your door!
-M.I.A

just as i was about to slip into a futuristic coma, a dj crew in t-shirts, baggy shorts, and fitted caps appears onstage to fill the space between some pretty substandard acts. it's buraka sound system, featuring two dj's, riot and lil' john. one of them, riot, has dreadlocks and looks trinidadian. not least because when they begin to play, over all of the electronics, i hear calypso samples. i make my way across the mostly empty space to the front of the stage. a trini in bcn?!! on my approach, i hear strains of afrobeat. then comes jr. reid crooning 'one blood'. enter the beat from rob base's it takes two. more soca. more percussion. more house. more fire. a teddy bear of a black man with a backpack and a fitted, called simply 'conductor', toasting live raggas-style all over it. remember that empty space? in minutes the word had spread and the room called sonarpark was jampacked with people, dancing like ritual cleansing. even sonar's 'headliners' came onstage to give the buraka dj's hugs and daps and respect.
I get home to google my knew favorite, favorite band, and i realize that i am nowhere near the first person to discover them.
M.I.A. has already worked with buraka on sound of kuduru, the first track from their new album, searching for the black diamond. the buraka sound is based on kuduru (also known as kuduro), with its roots in the hoods of luanda, angola. the name comes both from portuguese and the traditional angolan language of kimbundu. in kimbundu, kuduru is a type of ass-shaking dance, influenced by ragga, zouk, and soca. in portuguese, the word means stiff bottom. if the album title itself didn't give you a clue, playing as it does on horrors of the african diamond trade, kuduru credited is as a social movement created by poor people in late 80's in Luanda. let's do some math. african percussion+ calypso and soca beats+reggae+dash of hip hop= batida.
conductor, buraka's hype man, is actually a music producer out of luanda. he's said to have introduced riot and lil' john to kuduru, thus giving them their 'sound'. so, batida +european and american electronic music=kuduru progressive. my new favorite, favorite band is kuduru progressive's most famous proponent. progressive kuduru comprises a particular brand of social movement that only urban displacement can engender. this is sound of kuduru, featuring M.I.A. and footage from the band's 2007 trip to angola.
in less than six degrees of separation, buraka has also worked with bonde do rôle, the brazilian 'funk carioca' group charged with the task of replacing M.I.A as saturday night's featured act. they call it funk, i find it more hip-hop friendly punk. bonde do rôle which means 'joyride trolley' in portuguese, is 2 dudes and 2 chicks--pedro and dj gorky, ana bernardino and laura taylor--the two women chosen to replace original member, marina, american idol-style, on mtv overdrive, brazil. laura was chosen by the audience. ana (below), whose stage antics are legendary, won her spot by pulling meat out of her genitals onstage.

bonde do rôle features some rich fusions as well, especially on their most memorable track, marina gasolina. in-house dj, gorky's remix, lays summer lovin' off the grease soundtrack, over salt and pepa's push it, and features the laura's awesomely raspy, bittersweet vocals. (buraka has done an amazing remix of this very track.) bondo do rôle raps and, well, yells their way through the stage show. and they won't be making Blackwell's best dressed list any time soon. lots of air guitar, jumping off the stage, and anal sex simulation (usually with ana on all fours), not to mention the fact that this fool they call pedro (pictured with laura below) filled his mouth with water and spit it out on the audience. and on me. not cool. but still, their energy is infectious and their first full album with lasers is progressive, danceable global pop at its best.

i was beginning to think i was crazy for actually enjoying these nut jobs, but it turns out the commercial and marketing world's been infected as well: 'marina gasolina' is featured in an australian draws (as in underwear) ad, and solta o frango (release the chicken) has been featured in nokia ads worldwide and on an episode of ugly betty uk. music world domination by way of shifting forms, bending genres, fusing cultures, and shitting all over borders we ain't supposed to cross. 50 euro well spent.
and just because . . . i caught this woman going apeshit in sonarlab, on a dancefloor the size of an airplane hangar. question: how did shorty manage to fit a whole water bottle back there?
all aboard!
one drop, two drop, three drop, four
sound of kuduru knockin at your door!
-M.I.A
just as i was about to slip into a futuristic coma, a dj crew in t-shirts, baggy shorts, and fitted caps appears onstage to fill the space between some pretty substandard acts. it's buraka sound system, featuring two dj's, riot and lil' john. one of them, riot, has dreadlocks and looks trinidadian. not least because when they begin to play, over all of the electronics, i hear calypso samples. i make my way across the mostly empty space to the front of the stage. a trini in bcn?!! on my approach, i hear strains of afrobeat. then comes jr. reid crooning 'one blood'. enter the beat from rob base's it takes two. more soca. more percussion. more house. more fire. a teddy bear of a black man with a backpack and a fitted, called simply 'conductor', toasting live raggas-style all over it. remember that empty space? in minutes the word had spread and the room called sonarpark was jampacked with people, dancing like ritual cleansing. even sonar's 'headliners' came onstage to give the buraka dj's hugs and daps and respect.
I get home to google my knew favorite, favorite band, and i realize that i am nowhere near the first person to discover them.
M.I.A. has already worked with buraka on sound of kuduru, the first track from their new album, searching for the black diamond. the buraka sound is based on kuduru (also known as kuduro), with its roots in the hoods of luanda, angola. the name comes both from portuguese and the traditional angolan language of kimbundu. in kimbundu, kuduru is a type of ass-shaking dance, influenced by ragga, zouk, and soca. in portuguese, the word means stiff bottom. if the album title itself didn't give you a clue, playing as it does on horrors of the african diamond trade, kuduru credited is as a social movement created by poor people in late 80's in Luanda. let's do some math. african percussion+ calypso and soca beats+reggae+dash of hip hop= batida.
conductor, buraka's hype man, is actually a music producer out of luanda. he's said to have introduced riot and lil' john to kuduru, thus giving them their 'sound'. so, batida +european and american electronic music=kuduru progressive. my new favorite, favorite band is kuduru progressive's most famous proponent. progressive kuduru comprises a particular brand of social movement that only urban displacement can engender. this is sound of kuduru, featuring M.I.A. and footage from the band's 2007 trip to angola.
in less than six degrees of separation, buraka has also worked with bonde do rôle, the brazilian 'funk carioca' group charged with the task of replacing M.I.A as saturday night's featured act. they call it funk, i find it more hip-hop friendly punk. bonde do rôle which means 'joyride trolley' in portuguese, is 2 dudes and 2 chicks--pedro and dj gorky, ana bernardino and laura taylor--the two women chosen to replace original member, marina, american idol-style, on mtv overdrive, brazil. laura was chosen by the audience. ana (below), whose stage antics are legendary, won her spot by pulling meat out of her genitals onstage.
bonde do rôle features some rich fusions as well, especially on their most memorable track, marina gasolina. in-house dj, gorky's remix, lays summer lovin' off the grease soundtrack, over salt and pepa's push it, and features the laura's awesomely raspy, bittersweet vocals. (buraka has done an amazing remix of this very track.) bondo do rôle raps and, well, yells their way through the stage show. and they won't be making Blackwell's best dressed list any time soon. lots of air guitar, jumping off the stage, and anal sex simulation (usually with ana on all fours), not to mention the fact that this fool they call pedro (pictured with laura below) filled his mouth with water and spit it out on the audience. and on me. not cool. but still, their energy is infectious and their first full album with lasers is progressive, danceable global pop at its best.
i was beginning to think i was crazy for actually enjoying these nut jobs, but it turns out the commercial and marketing world's been infected as well: 'marina gasolina' is featured in an australian draws (as in underwear) ad, and solta o frango (release the chicken) has been featured in nokia ads worldwide and on an episode of ugly betty uk. music world domination by way of shifting forms, bending genres, fusing cultures, and shitting all over borders we ain't supposed to cross. 50 euro well spent.
and just because . . . i caught this woman going apeshit in sonarlab, on a dancefloor the size of an airplane hangar. question: how did shorty manage to fit a whole water bottle back there?
Labels:
music
Monday, June 16, 2008
invisible
in this sunday's new york times, writer susan faludi's "Think the Gender War is Over? Think Again!" tackles the media's hyper-masculinization of john mccain and the feminizing of barack obama. she argues that these characterizations are all part of our nation's founding myths, replayed and reinvented. the revolving cast of characters: the white man, the black man, and the white woman. the white frontiersman takes on the elements, braves the dangerous outposts, feeds and protects his family, his virtuous [white] woman from the marauding indian, the lazy but licentious black. the white man's role rarely changes, but this election sees obama in the role of the woman, and the black/indian marauders are clearly the terrorists, sometimes hillary even got to play the white man, yadda yadda . . . ok, so what's my role?
http://www.nytimes.com/2008/06/15/opinion/15faludi.html?ex=1371182400&en=7787a0bd3443f1eb&ei=5124&partner=permalink&exprod=permalink
http://www.nytimes.com/2008/06/15/opinion/15faludi.html?ex=1371182400&en=7787a0bd3443f1eb&ei=5124&partner=permalink&exprod=permalink
Labels:
race
Sunday, June 15, 2008
perfect mix
argentinian mcdreamy was in the act of making a comment that involved sweeping generalizations about the mentality of spanish people worldwide. i had to stop him, because i was a bit confused. since when are, like, puerto ricans and cubans, spanish? i'm not even talking about genetics. historically, spain and latin america are on different sides of a coin, no? i spoke up.
me: but latinos are not spanish. they speak spanish, but historically they are a mix of spanish, africans and indigenous american peoples, no?
him: [dark look crosses his face, long pause] but we're all equal. we're all humans.
me: never said we were unequal and inhuman. i just said spanish people are european, and latinos are a mix.
him: but in latin america, we hate america. your government has done a lot of bad things . . .
me: what does that have to do with anything? i just said latinos of the americas are not europeans.
him: i'm just saying we never take our hatred of your government out on the people . . .
me: huh? how did we get here? all i said was . . . wait, you seem a bit offended cause i said y'all were mixed . . .
what followed was, like, an hour of drama, in which he tried to pretend that we were experiencing the effects of the language barrier. but i knew better. my little raza cosmica* moment had touched a nerve.
me: yo se lo que esta pasando. no es una pregunta de idiomas.
(i know what's happening, and it ain't a question of languages.)
him: ¿no? ¿que es? ¿una pregunta de idiotas?
(what is it then? a question of idiots?)
me: [laughing] yeah, i think so . . .
idiomas-idiotas . . . cute way with [spanish] words. sexy. really sexy. but he's argentinian. now, every nation has things it must deny in order to preserve the parameters of its national identity. for argentinians, it's chè and afroargentines. i only figured this out the next day. through a google search, when all these articles popped up about how black people don't exist in argentina. except they did. and the accounts of why they don't anymore are chilling. i have to read more about it, before i start talking.
as for me and mcdreamy? it got kind of intense for me, and i was going to walk away from the whole situation. i was ready to walk away a few posts ago. but he kept a cool head and convinced me not to. he's calm. i like that. because i'm a fucking volcano. i understand him more. i don't like him any less. there is a sort of opposites match with us i hadn't noticed before. personality trumps obvious race issue. or some kind of psychotic break between the trouble with race and the act of sex. on both our parts.
* la raza cosmica was written by mexican philosopher/politician jose vasconsuelos in 1925. he argued that latin american identity is the mixture of europeans, africans, and indigenous american peoples; perfectly creating a new race, a 'fifth' race. he idealized this mixed identity as harmonious, transcendent, the next step in evolution, indeed, 'cosmic'.
me: but latinos are not spanish. they speak spanish, but historically they are a mix of spanish, africans and indigenous american peoples, no?
him: [dark look crosses his face, long pause] but we're all equal. we're all humans.
me: never said we were unequal and inhuman. i just said spanish people are european, and latinos are a mix.
him: but in latin america, we hate america. your government has done a lot of bad things . . .
me: what does that have to do with anything? i just said latinos of the americas are not europeans.
him: i'm just saying we never take our hatred of your government out on the people . . .
me: huh? how did we get here? all i said was . . . wait, you seem a bit offended cause i said y'all were mixed . . .
what followed was, like, an hour of drama, in which he tried to pretend that we were experiencing the effects of the language barrier. but i knew better. my little raza cosmica* moment had touched a nerve.
me: yo se lo que esta pasando. no es una pregunta de idiomas.
(i know what's happening, and it ain't a question of languages.)
him: ¿no? ¿que es? ¿una pregunta de idiotas?
(what is it then? a question of idiots?)
me: [laughing] yeah, i think so . . .
idiomas-idiotas . . . cute way with [spanish] words. sexy. really sexy. but he's argentinian. now, every nation has things it must deny in order to preserve the parameters of its national identity. for argentinians, it's chè and afroargentines. i only figured this out the next day. through a google search, when all these articles popped up about how black people don't exist in argentina. except they did. and the accounts of why they don't anymore are chilling. i have to read more about it, before i start talking.
as for me and mcdreamy? it got kind of intense for me, and i was going to walk away from the whole situation. i was ready to walk away a few posts ago. but he kept a cool head and convinced me not to. he's calm. i like that. because i'm a fucking volcano. i understand him more. i don't like him any less. there is a sort of opposites match with us i hadn't noticed before. personality trumps obvious race issue. or some kind of psychotic break between the trouble with race and the act of sex. on both our parts.
* la raza cosmica was written by mexican philosopher/politician jose vasconsuelos in 1925. he argued that latin american identity is the mixture of europeans, africans, and indigenous american peoples; perfectly creating a new race, a 'fifth' race. he idealized this mixed identity as harmonious, transcendent, the next step in evolution, indeed, 'cosmic'.
curry does not a cultural warrior make
last night over cava, chatting about the crazy things english people say, a girlfriend and i meander into the kind of conversation that drives me crazy: the 'i-eat-exotic-foods-therefore-i'm-kind-of-exotic-too' conversation.
her: . . . this guy in bristol, he was so close minded! he said that the best indian food in the world was in england, not in india. he was talking about this really 'tourist' restaurant with just white people and watered down versions of indian food!! i mean indian food in england is not real indian food . . .
[nb: she is white]
me: yeah, but london does have a large indian population and some very good indian food. depends on where you go of course . . .
her: but i've been to india. i've had authentic indian food, from women selling food on the street the corners . . .
lord help us. the dreaded i've been. the only thing i hate more than i've been is the inevitable verbal snapshot of the poor roadside woman selling global street cred on a styrofoam plate. she is ever present, stuffing the brave, the few, and the bland with the best spiced fish/cow balls/chocolate-covered rodents they've ever had. i was supposed to shut up in the face of the authority simply going to a foreign place guarantees. of course i never fucking shut up.
me: well, i've been to astoria in queens, new york, where 'nuff real indians live, and i've had real indian food too. unless you'd like to argue that those are fake indians, tainted indians, inauthentic because they don't actually live in india . . .
i'm real protective of transplanted/immigrant communities. i'm from an immigrant family. no, we don't live in our country of origin, but the majority of my household cultural experiences would be unrecognizable to mainstream america. my experiences are mixed, but does that make them any less authentic and real? compromised in some way that makes snapshots from my life as a caribbean-american yute less than national geographic worthy? are trini doubles and curry on liberty avenue in queens less 'authentic' than those made in port of spain? it's still trinidadians spicing the meat and frying the dough, no? what, are they fake trinis or indians because they live outside the motherland? you want to be the one to tell them that? especially when it's not our culture, when we've done no more than play the adventuring traveler, who are we to judge?
ok, so you were a tourist, glorying in the role of the privileged adventurer, thriving and surviving against the darker backdrops of 'native' culture, discovering shit. again. with your backpack, your sunscreen, your area map, and your good intentions-- i've been gives you neither a bird's eye view, nor the cultural authority to decide what's real and what's not. it gives you some cool memories, over and out.
so, congratulations on driving yourself to the airport, boarding that long, long flight to wherever the fuck, and having fun. seriously. most people don't even do that. but to ingest 'exotic' dishes, chew 'em up, swallow 'em and manage not to spit 'em back up as cultural engagement, is relatively weak and passive. it's not revolutionary. honestly, do i really have to give kudos for the ability to enjoy food????
her: . . . this guy in bristol, he was so close minded! he said that the best indian food in the world was in england, not in india. he was talking about this really 'tourist' restaurant with just white people and watered down versions of indian food!! i mean indian food in england is not real indian food . . .
[nb: she is white]
me: yeah, but london does have a large indian population and some very good indian food. depends on where you go of course . . .
her: but i've been to india. i've had authentic indian food, from women selling food on the street the corners . . .
lord help us. the dreaded i've been. the only thing i hate more than i've been is the inevitable verbal snapshot of the poor roadside woman selling global street cred on a styrofoam plate. she is ever present, stuffing the brave, the few, and the bland with the best spiced fish/cow balls/chocolate-covered rodents they've ever had. i was supposed to shut up in the face of the authority simply going to a foreign place guarantees. of course i never fucking shut up.
me: well, i've been to astoria in queens, new york, where 'nuff real indians live, and i've had real indian food too. unless you'd like to argue that those are fake indians, tainted indians, inauthentic because they don't actually live in india . . .
i'm real protective of transplanted/immigrant communities. i'm from an immigrant family. no, we don't live in our country of origin, but the majority of my household cultural experiences would be unrecognizable to mainstream america. my experiences are mixed, but does that make them any less authentic and real? compromised in some way that makes snapshots from my life as a caribbean-american yute less than national geographic worthy? are trini doubles and curry on liberty avenue in queens less 'authentic' than those made in port of spain? it's still trinidadians spicing the meat and frying the dough, no? what, are they fake trinis or indians because they live outside the motherland? you want to be the one to tell them that? especially when it's not our culture, when we've done no more than play the adventuring traveler, who are we to judge?
ok, so you were a tourist, glorying in the role of the privileged adventurer, thriving and surviving against the darker backdrops of 'native' culture, discovering shit. again. with your backpack, your sunscreen, your area map, and your good intentions-- i've been gives you neither a bird's eye view, nor the cultural authority to decide what's real and what's not. it gives you some cool memories, over and out.
so, congratulations on driving yourself to the airport, boarding that long, long flight to wherever the fuck, and having fun. seriously. most people don't even do that. but to ingest 'exotic' dishes, chew 'em up, swallow 'em and manage not to spit 'em back up as cultural engagement, is relatively weak and passive. it's not revolutionary. honestly, do i really have to give kudos for the ability to enjoy food????
Saturday, June 14, 2008
mexico, a bedtime story
a routine conversation class. the subject turns to mexico, where my student once went on a business trip, and was surprised to be confronted by some intense anti-spanish sentiment. i was surprised by his surprise.' of course mexico is kind of mad at you', i said. 'for the aztec empire and colonialism and all that.' i stayed respectful, but i had to keep it real. 'y'all took their land, killed their people . . . no offense, but . . . of course, they're kind of mad'. 'well the story is more complicated than that', he said. this very very educated and successful and rich man proceeded to tell me the story of hernan cortés, the man who brought down the aztec empire and subjected it to spanish rule. what follows is a tall tale, which i sincerely hope does not appear in print anywhere else.
when the spanish arrived in mexico, cortés separated himself from the other settlers. he wanted to kill people and take shit, but the others, they didn't want to. they, in fact, wanted to go home. they missed the tapas, the siestas, and most of all flamenco dancing. the hapless, blameless bunch were huddled on the beach trying to decide what to do, when cortés and his soldiers snuck up from behind, and burnt the boats on which they'd arrived. they were stranded. cortés now had them by the balls. there would be no returning to spain. they had to cooperate. the spanish went on to rape, pillage, colonize and attempt to erase the entire indigenous history of the mexico, but only because they were forced to do so . . .
. . . and then the fairy godmother bit the apple she got from the wolf in a red cape, and was awoken by the kiss of a handsome prince in the tower at the stroke of midnight.
sweet dreams, bitches.
when the spanish arrived in mexico, cortés separated himself from the other settlers. he wanted to kill people and take shit, but the others, they didn't want to. they, in fact, wanted to go home. they missed the tapas, the siestas, and most of all flamenco dancing. the hapless, blameless bunch were huddled on the beach trying to decide what to do, when cortés and his soldiers snuck up from behind, and burnt the boats on which they'd arrived. they were stranded. cortés now had them by the balls. there would be no returning to spain. they had to cooperate. the spanish went on to rape, pillage, colonize and attempt to erase the entire indigenous history of the mexico, but only because they were forced to do so . . .
. . . and then the fairy godmother bit the apple she got from the wolf in a red cape, and was awoken by the kiss of a handsome prince in the tower at the stroke of midnight.
sweet dreams, bitches.
Friday, June 13, 2008
why i don't do brit boys
i'm at a bar with a few colleagues two nights ago. i spot a cute guy: dark hair, light green eyes, cool vintage tee, but as soon as he opens his mouth to introduce himself and that manchester accent emerges, i mentally and involuntarily, but immediately dismiss him. all night i can feel him looking at me, putting himself in my eyeline. i can feel the gears shifting in his head as he tries to figure out what to say to me. yet i cannot encourage him. because he's british, and i do not do british boys.
the famed dry and self-deprecating quick brit wit may be good for a laugh or two in a pub, but it ain't sexy. latent in that self deprecation is a national lack of confidence. and generally, i cannot be with a man who does not know he's the shit. i love the kind of confidence that borders on arrogance, especially from a man who can back it up. brit men tend to be intelligent in my experience, but also condescending. believing so wholeheartedly in the class/caste system, they spend lots of conversation time verbally trying to put you in your place in the hierarchy, and then holding you there. case in point . . .
the school i teach at is fantastic. the building is old and typically spanish, with the beautifully tiled floors and double doors. the terrace is just is on the interior, but sunlight floods the antique sitting area on good days. yesterday, the terrace was outfitted with fully dressed tables of tortillas, chips, olives, cheese and soda for the end of year fiesta. after exams, we went out to the terrace, talked with our students, took some pictures. we took a lot of pictures. the whole day was like a damned photo shoot. and between classes, all of the teachers congregated around the table to munch and talk shit.
it's during one of these breaks that i notice a black man i'd never seen before. i'm thinking he's a student, until he comes straight to us and begins talking to my irish colleague with familiarity. he's a former teacher and he's british. i tell him my name and that i'm from new york. he asks if this is my first time out of the country. strike fucking one. i run down the list of european countries i've lived in, or in which i've enjoyed extended visits. this brother raises an eyebrow, raises and eyebrow!! and asks,
'oh, so you're a polyglot?'
what the fuck . . . see? this is why i don't do british men. why didn't he just ask me how many languages i speak? bump that, why didn't he just ante up and ask me if i'd experienced any seasickness on the boat ride over?
the famed dry and self-deprecating quick brit wit may be good for a laugh or two in a pub, but it ain't sexy. latent in that self deprecation is a national lack of confidence. and generally, i cannot be with a man who does not know he's the shit. i love the kind of confidence that borders on arrogance, especially from a man who can back it up. brit men tend to be intelligent in my experience, but also condescending. believing so wholeheartedly in the class/caste system, they spend lots of conversation time verbally trying to put you in your place in the hierarchy, and then holding you there. case in point . . .
the school i teach at is fantastic. the building is old and typically spanish, with the beautifully tiled floors and double doors. the terrace is just is on the interior, but sunlight floods the antique sitting area on good days. yesterday, the terrace was outfitted with fully dressed tables of tortillas, chips, olives, cheese and soda for the end of year fiesta. after exams, we went out to the terrace, talked with our students, took some pictures. we took a lot of pictures. the whole day was like a damned photo shoot. and between classes, all of the teachers congregated around the table to munch and talk shit.
it's during one of these breaks that i notice a black man i'd never seen before. i'm thinking he's a student, until he comes straight to us and begins talking to my irish colleague with familiarity. he's a former teacher and he's british. i tell him my name and that i'm from new york. he asks if this is my first time out of the country. strike fucking one. i run down the list of european countries i've lived in, or in which i've enjoyed extended visits. this brother raises an eyebrow, raises and eyebrow!! and asks,
'oh, so you're a polyglot?'
what the fuck . . . see? this is why i don't do british men. why didn't he just ask me how many languages i speak? bump that, why didn't he just ante up and ask me if i'd experienced any seasickness on the boat ride over?
Thursday, June 12, 2008
lost in translation 2
last week, my colleague had this conversation about the democratic primary with a student.
student: you guys have a problem in america. you will have a woman for president or a nigger. big problem.
my colleague: that really isn't the correct nomenclature. you should say african american.
student: you guys have a problem in america. you will have a woman for president or a nigger. big problem.
my colleague: that really isn't the correct nomenclature. you should say african american.
expiration dating*
i like argentinian mcdreamy. i really do. and as of now i am not attached. i can walk away without suffering from too much withdrawal. i can give my affections to another man without thinking of him at all, or feeling even a smidgeon guilty. i have done. this matters. it matters because our casual, sexual relationship almost didn't even get off the ground. he told me he needed to be free and that he didn't want our friendship to end because he didn't want to be in a relationship. that was fine with me at the time, because although he's beautiful and sometimes so caring and lots of fun, he does not knock me off my feet. and i'm not one of those girls who gets attached to someone because she's sleeping with them. i used to be one of those girls who only slept with men i was attached to. i thought i didn't have the capacity to sleep with someone with whom i wasn't damned near in love. time and experience have detached my hormones from my feelings, and i've found that i do have it in me to fuck 'em and leave 'em. perhaps lots of women do, but isn't it also true that for us, this detachment has an expiration date on it, like milk? only, unlike milk, you cannot just pour a relationship down the drain and recycle the box once the expiration date has passed. you can't wait till the relationship curdles and starts to smell. then it's too late. you're hurt over a relationship you knew could only last for a time; attached to a man you know, however beautiful, is not for you and you're crying into your pillow. that's a bit dramatic, i know. but given the ease with which opportunities to get laid arise in barcelona, why hold on to a non-relationship, complete with 'regular' nights and unspoken obligations to return phone calls and shit? why not just remain free, really free, until something real dictates otherwise?
* carrie from sex and the city once made a joke about expiration dating. i am aware.
* carrie from sex and the city once made a joke about expiration dating. i am aware.
Labels:
boys
Monday, June 9, 2008
36 hours of grey
i, like millions around the world, am obsessed with grey's anatomy. before moving to spain this past january, i'd never seen one episode. i found myself broken up from the man i thought i'd marry, standing in a corte inglés, not depressed, really, but a bit lost, and dropping 50 euro on the first and second seasons. in search of comfort and familiarity, i found something even better: the damaged girl's handbook. that moment at the end of season 4, when burke's patience with cristina's distance and hesitance runs out at the alter . . . no dresses were bought, no church booked, nor were caterers secured, but that feeling remains engraved on me like fancy lettering on a invitation. when you love a man, but something in you always keeps you from giving him what he needs. when he is accommodating and understanding until . . . he's not.
this weekend i found the entire 4th season on youtube. i spent all of sunday watching it. ok, and saturday night, too. polished off all 16 episodes in one sitting like a fat girl and box of twinkies. meredith and derrick are together, she's all 'whole and healed', as she says, and i don't know if that means her story will no longer apply to chicks like me. but at least until next season, i have cristina. still broken, selfish, competitive, brilliant, and totally vulnerable, and no amount of 'hopeful endings' can take that away.
this weekend i found the entire 4th season on youtube. i spent all of sunday watching it. ok, and saturday night, too. polished off all 16 episodes in one sitting like a fat girl and box of twinkies. meredith and derrick are together, she's all 'whole and healed', as she says, and i don't know if that means her story will no longer apply to chicks like me. but at least until next season, i have cristina. still broken, selfish, competitive, brilliant, and totally vulnerable, and no amount of 'hopeful endings' can take that away.
Labels:
life
Thursday, June 5, 2008
lost in translation
today i caught up with a former student. here is the transcript.
me: hey, hi how are you!!
him: good, good . . .
me: you look tanned . . .
(he looks confused)
me: you have been in the sun. you're darker, no??
him: yes, i feel more bigger.
(i look confused)
me: bigger? what do you mean?
him: no, no nigger. i feel more nigger, like, like, i have more soul.
me: hey, hi how are you!!
him: good, good . . .
me: you look tanned . . .
(he looks confused)
me: you have been in the sun. you're darker, no??
him: yes, i feel more bigger.
(i look confused)
me: bigger? what do you mean?
him: no, no nigger. i feel more nigger, like, like, i have more soul.
Wednesday, June 4, 2008
andalucia aka the dirty south
normally, as soon as i tell someone that i live in spain, ´they ooh and aaah´ about how they love spanish men. the myth of the tall, dark, and handsome latin lover is alive and well. but in reality, i've come to discover that that man, tall dark, handsome latin lover with rhythm and a slick tongue, really only exists in the south of spain. unfortunately, with this difference, comes identifying cultural features, values assigned to these differences and a hierarchy created where some people are better than others.
mixeddutchgirl's boyfriend once articulated the difference, as spanish people see it, in the following 'joke':
3 spanish women get together to talk about their inattentive husbands, who want to be fed and fucked, but never want to help out with the kids or around the house. they don't even clean up after themselves. the three women are sick of it. they decide, together, to boycott sex until their husbands pull their weight with the housework.
the women come together a week later to share their stories of how their experiments went. the first woman, from the catalonia, said, "the first day. nothing happened. i didn't cook. he didn't cook. nothing was cleaned and we didn't have sex. but i didn't back down. on the second day, my husband picked up his dirty clothes off the floor. on the third day, he cooked dinner. and by the end of the week, he was helping out so much around the house, i had to give him some. what a success!!'
(though mdg's boyfriend did translate the joke into english from catalan, he doesn't say shit like 'give him some'. i'm totally paraphrasing.)
the second woman, from madrid, said, "it took my husband until the third day to start helping, but by the end of the week i had to give him some, because he was cooking cleaning and helping out so much. what a success!"
the third woman was from adalucia. "well," she said, "the first day, nothing happened. on the second day, i had to give him some. by the third day, i could open my left eye, and on the fourth, i could open the right eye . . ."
*****
so the story told by the northernmost parts of spain is that the men of the south are less tolerant and sophisticated, more sexual, hot-tempered wife beaters. it can't be a coincidence that their physiognomy, accents, and dialects of the south are likened to those of the latinos of the americas.
let's look at the evidence. spain's southerners tend to have darker coloring. the women have bigger asses and the men are taller. everyone smolders just a bit more in that j. lo/chayanne/eva longoria kind of way. they glide right past the 'd' in the final syllables of regular past participle verbs, so that cansado (tired) becomes 'cansao'. they speak more quickly. more rhythmically.
of course, values are assigned to these differences and a hierarchy created where some people are better than others. southerners are cast in the 'darker' role physically and psychically. like the andalucian husband in the joke, the most macho and ignant of the macho and ignant, who lays hands on his wife cause she won't cook. now, with the obvious exception of the wife-beating, if i say that i prefer the men of southern spain because they are darker and more fiery, am i reinforcing the stereotype?
indeed, you don't have to live in spain for long before you can spot them a mile away.
i went to madrid last weekend to celebrate a good friend's birthday. we ended up in a sort of vaudevillean cabaret of a dance club called 69 petals. the dj wore shades and a leopard print jacket, looking like dude from the B-52's. he had a whole crew. most were dancers, like the gay twins with spiky gumbos, checked shirts, overalls, lipstick and teddy bear backpacks; or the stacked asian girl with glittery panties. and there was the one i really liked, a bad ass blonde bongo drummer in a pink spandex outfit. she had no ass, but she could play those bongos, and my love for the drum has been well documented here.
i walked in, dropped my shit off at the coat check. headed to the bathroom to make sure everything was in its place. headed to the bar to pick up the 'complimentary' drink that came with a 15 euro cover. then we all headed to the dancefloor. i spotted him immediately, dressed casually in a t-shirt, jeans, and sneakers. he looked a bit like che guevara, with the 5 o'clock shadow, chiseled features, and long hair. i thought, 'that one'.
he made his friends take a picture of him and the fat woman woman dressed like a viking. he grabbed her around the waist, and pretended to bite her boob as the flash went off. within 5 minutes he was introducing his fine andalucian self to me. within three hours, we were at his apartment, where he poured me a glass of some flat coke, whipped out the family photo album, and then totally try to ride without a hat.
seemed kind of . . . well . . . who, in this modern world, goes raw on a one night stand? especially if you're young, gifted, black, female and statistically contracting HIV at rates faster than any other demographic? he tried every trick in the book. from talking really dirty in that beautiful accent, to whining and complaining that condoms didn't fit him. he said he 'normally' doesn't use condoms, and assuming this was not his first casual encounter, i wondered about the women who let him get away with this. those women, probably smart and together when it came to careers and friends and things. oh, the choices women make (or don't) for the sake of male attention and affection. my will was done, in the end. we stayed safe, and it was the best of both worlds. actually, we're both dark and tropical people, exoticized in similar, complimentary ways. it was more like parallel universes colliding.
in the aftermath, i cannot stop thinking about that 'joke'. i cannot stop thinking about the legendary, nobel-prize winning james watson, who started a firestorm of controversy when he, among other things, publicly speculated on the sexual prowess of tropical people. if the man who identified the damn double helix makes sweeping generalizations, how can the rest of us escape it? in what i'll call a final james watsonian twist, he was packing. we tried 3 different condoms before one fit.
mixeddutchgirl's boyfriend once articulated the difference, as spanish people see it, in the following 'joke':
3 spanish women get together to talk about their inattentive husbands, who want to be fed and fucked, but never want to help out with the kids or around the house. they don't even clean up after themselves. the three women are sick of it. they decide, together, to boycott sex until their husbands pull their weight with the housework.
the women come together a week later to share their stories of how their experiments went. the first woman, from the catalonia, said, "the first day. nothing happened. i didn't cook. he didn't cook. nothing was cleaned and we didn't have sex. but i didn't back down. on the second day, my husband picked up his dirty clothes off the floor. on the third day, he cooked dinner. and by the end of the week, he was helping out so much around the house, i had to give him some. what a success!!'
(though mdg's boyfriend did translate the joke into english from catalan, he doesn't say shit like 'give him some'. i'm totally paraphrasing.)
the second woman, from madrid, said, "it took my husband until the third day to start helping, but by the end of the week i had to give him some, because he was cooking cleaning and helping out so much. what a success!"
the third woman was from adalucia. "well," she said, "the first day, nothing happened. on the second day, i had to give him some. by the third day, i could open my left eye, and on the fourth, i could open the right eye . . ."
*****
so the story told by the northernmost parts of spain is that the men of the south are less tolerant and sophisticated, more sexual, hot-tempered wife beaters. it can't be a coincidence that their physiognomy, accents, and dialects of the south are likened to those of the latinos of the americas.
let's look at the evidence. spain's southerners tend to have darker coloring. the women have bigger asses and the men are taller. everyone smolders just a bit more in that j. lo/chayanne/eva longoria kind of way. they glide right past the 'd' in the final syllables of regular past participle verbs, so that cansado (tired) becomes 'cansao'. they speak more quickly. more rhythmically.
of course, values are assigned to these differences and a hierarchy created where some people are better than others. southerners are cast in the 'darker' role physically and psychically. like the andalucian husband in the joke, the most macho and ignant of the macho and ignant, who lays hands on his wife cause she won't cook. now, with the obvious exception of the wife-beating, if i say that i prefer the men of southern spain because they are darker and more fiery, am i reinforcing the stereotype?
indeed, you don't have to live in spain for long before you can spot them a mile away.
i went to madrid last weekend to celebrate a good friend's birthday. we ended up in a sort of vaudevillean cabaret of a dance club called 69 petals. the dj wore shades and a leopard print jacket, looking like dude from the B-52's. he had a whole crew. most were dancers, like the gay twins with spiky gumbos, checked shirts, overalls, lipstick and teddy bear backpacks; or the stacked asian girl with glittery panties. and there was the one i really liked, a bad ass blonde bongo drummer in a pink spandex outfit. she had no ass, but she could play those bongos, and my love for the drum has been well documented here.
i walked in, dropped my shit off at the coat check. headed to the bathroom to make sure everything was in its place. headed to the bar to pick up the 'complimentary' drink that came with a 15 euro cover. then we all headed to the dancefloor. i spotted him immediately, dressed casually in a t-shirt, jeans, and sneakers. he looked a bit like che guevara, with the 5 o'clock shadow, chiseled features, and long hair. i thought, 'that one'.
he made his friends take a picture of him and the fat woman woman dressed like a viking. he grabbed her around the waist, and pretended to bite her boob as the flash went off. within 5 minutes he was introducing his fine andalucian self to me. within three hours, we were at his apartment, where he poured me a glass of some flat coke, whipped out the family photo album, and then totally try to ride without a hat.
seemed kind of . . . well . . . who, in this modern world, goes raw on a one night stand? especially if you're young, gifted, black, female and statistically contracting HIV at rates faster than any other demographic? he tried every trick in the book. from talking really dirty in that beautiful accent, to whining and complaining that condoms didn't fit him. he said he 'normally' doesn't use condoms, and assuming this was not his first casual encounter, i wondered about the women who let him get away with this. those women, probably smart and together when it came to careers and friends and things. oh, the choices women make (or don't) for the sake of male attention and affection. my will was done, in the end. we stayed safe, and it was the best of both worlds. actually, we're both dark and tropical people, exoticized in similar, complimentary ways. it was more like parallel universes colliding.
in the aftermath, i cannot stop thinking about that 'joke'. i cannot stop thinking about the legendary, nobel-prize winning james watson, who started a firestorm of controversy when he, among other things, publicly speculated on the sexual prowess of tropical people. if the man who identified the damn double helix makes sweeping generalizations, how can the rest of us escape it? in what i'll call a final james watsonian twist, he was packing. we tried 3 different condoms before one fit.
Tuesday, June 3, 2008
blackface: a barcelona tourist attraction

cruising the beachside club scene for cuties the other night, amelie and i ran into a very not cute, but very nice catalan guy, and we let him chat with us a bit. really, we were there to bestow a 'flirt card' on a cute bartender that works in that particular establishment, but more on that in a different post. all he heard was that i was american, and he started trying to sell me on 'authentic' catalan culture. going so far as to invite me into the mountains on his motorbike, pointing out the police (see? look! real police!!), and asking me if i'd ever been on the ramblas. a strip of concrete lined with trees and people trying to sell you shit, that the tourist rags will tell you is a must see. but the ramblas is like times square--way too commercial and mainstream for certain kinds of travellers. actually, on arriving in barcelona, the ramblas was my first destination. i walked a block, and i was ready to go back to madrid where i'd spent the previous month. luckily, i gave bcn a chance, and i grew to adore the city. but i still don't like the ramblas. i tried to like the ramblas on subsequent occasions but that attempt was ruined by the man who performs tricks and stunts for giggling tourists on the ramblas as recently transplanted, brazilian soccer star, ronaldhino.
what's wrong with that, you may wonder? good clean fun? well, he slathers his face in chocolate-colored make-up, dons a dread wig, huge false chipmunk-like teeth. sometimes grills and fat gold chains are thrown in for good measure. yes, a straight up coon show, people stand around fascinated by ronaldhino in blackface as he balances a soccer ball on his forehead, or aims idiotic smiles and thumbs-up signs into crowds of foreign accents and digital cameras. that first day i stood and stared with my mouth open. he kept throwing me furtive glances, the whites of his eyes jumping out from behind his make-up, and what i like to think was a little bit of shame. i was even more upset to find this at a nearby newsstand . . .

ok. so ro is not the prettiest muthafucker in sports. but this is just wrong. why's he wearing lipstick? i mentioned my discomfort with the the way spain caricatures ronaldhino to a white american friend once. he said, 'oh, i hate all of the street performers on the ramblas. they're all just taking advantage of tourists'. as though my discomfort was at best, a result of my negative thinking. at worst, i was missing the larger issue. my problem, the perpetual exaggeration and caricature of the black aesthetic accompanied by negative cultural stereotypes that has historically been used to justify slavery, oppression, colonialism, and inequality, was nothing when compared to the fact that everyday, tourists were being huslted for their hard-earned euros.
i know this technique. when white people would rather insinuate that you're crazy than be a little bit uncomfortable with the race question. fortunately, validation and little bit of understanding came in the form of this month's Barcelona Metropolitan, the city's (free) magazine in english. on the cover . . . .

in 'cultural divide: Spain's racial stereotypes', author, hannah pennell points to the latent racism in the ads for the theater production of cómeme el coco, negro, which portray a "cartoonish black face with a wide mouth grin and large white lips"; about how at this year's formula one race, held at the track in montmelo, just outside of bcn, a group of people painted their faces black, put on afro wigs, and claimed to be the family of british-caribbean racer, lewis hamilton. spanish racer fernando alonso defended them, talkin' bout how it was carnival time and they were just getting into the spirit of dressing up. "they never call things by their name. And this prevents it from being eradicated . . . there are situations here which are still not condemned because people find it difficult to talk about racism", Begoña Sanchez of SOS Racisme, said in the article. how apropos. erasing race at the race.
read it here:
knc
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